[1], In 1974 one of the downstairs flats in the house at 3 Walker Street became home to artist, writer and quiet observer Tom Carment, then 19 years old. In 1970 he had made an experimental film called "Brett and butter and jam on his face" that featured Whiteley. Lavender Bay; , . The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales. Oil/Canvas. [1], After the Whiteleys purchased the house in 1974, it was altered and reinstated to a single dwelling. Thence by descent; Frannie Hopkirk, New South Wales, the artists sister; Private collection, Sydney, acquired from the above in 1997; Deutscher and Hackett, Australian + International Fine Art and Aboriginal Art, Sydney, 30/11/2016, Lot No. Many of his most awarded paintings were undertaken at the house with the interiors and its waterscape and landscape environs featuring prominently in many of his major works.[1]. Brett Whiteley is one of Australia's most celebrated artists, best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. Saturday Sunday: 11am 5pm, The purpose of drawing is to make freshness permanent to trigger astonishment., This serene work by Whiteley was created in the early 1980s. Community consultation has not been undertaken to assess the social value associated with the house, however, it is highly likely that the house at No.1 Walker Street is valued for its association with Brett Whiteley by the art community and general public. . After establishing himself as an artist abroad, Whiteley returned to Sydney in 1969, and resided in the harbour-side suburb of Lavender Bay. Address: 10A Roylston Street, Paddington NSW 2021 Australia Weekend Paper is for The Weekend Australian delivered on a Saturday. [1], The following modifications have been made to the site:[1], As at 4 October 2017, Brett Whiteley's House and Visual Curtilage, at 1 Walker Street, Lavender Bay is of state significance for its historic association with internationally and nationally acclaimed Australian artist Brett Whiteley AO. BRETT WHITELEY Lavender Bay 2 1973. See www.theaustralian.com.au/subscriptiontermsfor full details. Pelican II is a spectacular and rare bronze sculpture by Whiteley inspired by date palms. During the time he spent there, Tom got to know several of his artist neighbours. View comparable artworks. See opening hours [8]:8[4] After the house renovations, Brett could work from his Lavender Bay studio in Walker Street. Brett Whiteley painting - the pink heron 1969 Art Print By Aniatom From $35.80 Brett Whiteley painting - alchemy 1972-1973 Art Print By Aniatom From $35.80 Brett Whiteley painting Art Print By Aniatom From $35.80 'I didn't start with Brett.' These days Wendy Whiteley is a legenda The exceedingly thin layer of Australian artists with whom the general public is acquainted are still generally white men with big personalities, self-destructive urges and muses. [1], Lavender Bay scenery from 1 Walker Street has been depicted by Whiteley in numerous works: paintings, drawings, etchings, silkscreen prints, onto objects such as vases, plates and pots. The house is separated from the harbour by railway sidings and a brick viaduct, parkland, foreshore reserve and a garden created by Wendy Whiteley on unused railway land from 1992. The notion that art can be available to all and threaded into environmental aims in the public sphere, outside the hushed, rarefied walls of galleries is palpable in the policies of many councils today. Brett Whiteley. Lavender Bay ferry wharf: "Grey Harbour" 1978, "Sydney Harbour by night" 1981 for example. The place is important in demonstrating the course, or pattern, of cultural or natural history in New South Wales. As an urban, residential area of jacarandas and sapphire-blue water, it offered an energised vision of coastal Australia from local eyes. A modest inheritance on the death of his father allowed Kingston to buy the lower level of the house at 3 Walker Street in 1974. The Christensen Fund, Perth (Stock Number CC/05437/AUSG) (label attached verso); Scott Livesey Galleries, Melbourne, Estate of the artist, Sydney. Subscribe to one of our plans to get the best price over 12 months. After the first 12 weeks, the cost is $40 billed approximately 4 weekly. 1 Month Free Personal Alerts. The sitting room and studio at the lower level from where Brett Whiteley painted are interior spaces that demonstrate the achievements of Brett Whiteley. An abundance of Whiteleys paintings fill the film, reminding me that his work was indeed special, singular. Henris Armchair, from the artists famous Lavender Bay series, surpassed the previous record of $5.4m for Sidney Nolans First-class Marksman from his Ned Kelly series, which was bought by the Art Gallery of New South Wales in 2010. Paris is so sensual, beautiful, flirtatious, mischievous, arrogant, orderly, civilised. Prices after the first 12 months may be varied as per full Terms and Conditions. We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 500,000 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, The 15 Geat Dog Pisses of Paris, 1989 ,1989. In London he was an instant success in the . A major Brett Whiteley painting set a new Australian art record on Thursday evening, fetching $6.136m at auction. . As well as being his family home and studio, the house, its setting and views inspired a substantial body of award-winning and influential works of art including paintings, works on paper and installations. 95.5 X 94.0 CM. Please call us on 1800 070 535 and well help resolve the issue or try again later. A tower addition was added, enclosed verandas were opened up, a new side entrance and south entrance created and new windows on the west and south elevations. It depicts a dark and moody harbour view from the window of his Lavender Bay house, punctuated by white boats and golden palm trees; a pot of navy-coloured flowers sits in the . The house and its viewshed are an important link to his most awarded and most popular works. Here is a quote from Whiteley relating to this period of his work; I first went to Paris at age 20, but was so obsessed with modernism and abstraction to paint it. [1][8]:8,10[6], In 1981 Brett rented a studio at Reiby Place in Circular Quay. Email: info@justinmiller.art, Tuesday Friday: 10am 5pm They may be out there, but our museums and galleries havent been looking: last years Countess report found that only 34% of the works in state museum collections are by women. No cancellations during the first 12 months. Brett Whiteley Lavender Bay in the Rain, 1987 4 colour screen print 39 3/5 29 3/10 in | 100.5 74.5 cm Edition 45/75 Part of a limited edition set Contact for price Contact Gallery Nanda\Hobbs Sydney Get notifications for similar works Create Alert Want to sell a work by this artist? They turn inside-out the usual conventions of dramatisations and archival footage, showing us how cinema has helped build historical events into legends. Men are geniuses. The ironic words of Swedish Film Institute CEO Anna Serner who visited Sydney last fortnight for a film festival celebrating women directors echoed in my mind as I watched the new Australian documentary Whiteley. These Brett Whiteley fine art prints titled Grey Harbour 1978, 15 great dog pisses of Paris 1989, Lavender bay in the rain 1981 are made on 100% cotton fibre mould made water colour paper in either 256 or 300gsm stock paper with a pH neutral acid and is lignin free. The Estate of the late Christopher Kuhn, Canada. [1][4][10], In 1975 he was awarded the Sir William Anglis Memorial Art Prize, Melbourne. But neither women are spoken about in the same reverent, hyperbolic tones as Brett was at his peak nor are Fiona Foley, Louise Hearman or Emily Kame Kngwarreye. He lived there from 1987 and moved there permanently following his divorce from Wendy in 1989 and travelled extensively. For full details, see our Terms and Conditions www.theaustralian.com.au/connectedterms. The Whiteley's purchased it in 1974 and reinstated it as a single dwelling, with an eclectic set of features. [4] The Whiteleys had been in London, New York and Fiji. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." The place has a strong or special association with a person, or group of persons, of importance of cultural or natural history of New South Wales's history. This automatically renews to be billed as $60 (min. We were gypsies. 41/50. Several other artists joined the eruption of creativity at Luna Park in the mid-1970s, including Garry Shead. The downstairs space was converted into Brett Whiteley's studio. In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. Lavender Bay 1 1973, pencil and ink on paper, 74.0 x 56.0 cm, private collection; . In the 1970s and 1980s the bay attracted a particularly vibrant artistic community in a din of exuberant artistic activity centred on a handful of houses - the homes of some of Sydney's leading artists, among them Brett Whiteley and Peter Kingston. Weekend Paper is for The Weekend Australian delivered on a Saturday. ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY FROM DIGITAL ART DIRECTORY from Christian McCann Auctions on Invalid date AEDT. Log In Sign up. The studio and home was an environment which provided inspiration that lead to award-winning and influential works of art. Lavender bay in the rain 1981 by Brett Whiteley is a Giclee digitally signed fine art print, image size of 70.5x63cm, paper sheet size 82.5x75cm, Large print image size 95.485.2cm, paper print size 107.597.2cm. Join the list for early access. Both have since been demolished. [1] He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. [1][6], In London, he met many other painters, including fellow Australians, Arthur Boyd and John Passmore. His wife Wendy appears as "Delish". After purchase, this subscription may be managed in your Google Account Settings. [1], The house at No. It is lush and emerald-green, wound with paths, hand-carved rails, stone sculptures and tiny birds popping out from the long shadows in the afternoon. Brett Whiteley's prints include lithographs and etchings. Some internal walls have been removed to allow Whiteley to work in the sitting room level as well as the studio level. The stability of home ownership and the freedom from rent payments allowed Kingston to become an artist, Fairlie says. Every purchase supports the Art Gallery of New South Wales, Open daily [1] In March 2017, Premier Gladys Berejiklian announced the creation of a trust fund to further secure the future of Wendy Whiteley's garden. [5] In the words of Brett Whiteley: he expresses the importance of Lavender Bay within his life's body of works: "two-thirds of Braque's work is table tops, there's Morandi's bottles, Lloyd Rees's hills My repeating theme - a subject I will always go back to until I die - Lavender Bay" (from McGrath, 1992 quoted in Britton, 2016). The house with its harbour views reveal more information about Brett Whiteley's life and art, the genesis of his paintings and to assist in the ongoing discussion and assessment of his contribution to Australian art. Instead of the bush or the desert, Sydneys Lavender Bay was Bretts ground zero. Then please print, fill out and fax or email it back to the contacts on the form. Home Delivery not available in all areas. Brett Whiteley's painting Henri's Armchair, from his Lavender Bay series, has sold at auction for $6.136m. Instead of the bush or the desert, Sydney's Lavender Bay was Brett's ground zero. cost) for the first 12 months, charged as $32 every 4 weeks. Compare auction performance of Whiteley Brett . and special offers! Prominent palms (Phoenix canriensis) in Clark Park frame the views to the left and Washingtonia (or Californian desert fan) palms (Washingtonia robusta) close to the Lavender Bay ferry wharf provide a focal point. Ms Upton said the iconic home, its setting and views are of state heritage significance for their historic association with internationally acclaimed Australian artist Brett Whiteley AO. Whiteley used the Raper Street Studio, which has become a permanent museum studio/gallery. unknown author., The Canberra times, 'Sydney artist Brett Whiteley wins Archibald Prize', Ainslie, 22 Jan 1977, (illus.). Prices after the introductory pricing period may be varied in accordance with the full Terms and Conditions. Tracey Moffatt this week represents Australian at the Venice Biennale with a major exhibition an honour bestowed upon Fiona Hall two years prior. a film festival celebrating women directors, an obsessive bohemian who took life and art to the extreme, damaged glamour from 1960, no one had a vaster gift, more sheer brilliance or a bigger impact on the Australian imagination, represents Australian at the Venice Biennale, last years Countess report found that only 34% of the works in state museum collections are by women, the laneways and murals in City of Sydneys public art program. Home Delivery not available in all areas. [1], In 1991, Brett Whiteley was awarded an Order of Australia (General Division). [1], As at 17 July 2017, the house is in excellent condition and continues to be the home of Wendy Whiteley. The Schlicts left Lavender Bay for the inner city around 1971. The west elevation has been modified and has a set of windows along the first floor level. Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. View and compare similar lots prices. He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. Brett Whiteley's ceramics are among his rarest and most delicately lyrical works of art. This rare casting is from the Bird Sculpture series from 1983 to 1988. The mainstream press loved divining his persona like this: the Herald called him an obsessive bohemian who took life and art to the extreme; the Australian refers to his damaged glamour from 1960, no one had a vaster gift, more sheer brilliance or a bigger impact on the Australian imagination. The house and the immediate setting assists in the understanding of his enormous creative output; the birds, the trees, the harbour and its icons.
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